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T20
T20

Neel Piriter Phul Mesmerises Audience during Seventh Evening of Canfest 2026 In Paradip

Bengali production Neel Piriter Phul delivered a masterful performance during the seventh night of Canfest-2026. This rendition by Ebong Amra combined mystical folklore with romantic comedy to delight the Paradip audience.
Published By : Satya Mohapatra | April 27, 2026 8:26 PM
Neel Piriter Phul Mesmerises Audience during Seventh Evening of Canfest 2026 In Paradip

Bengali drama Neel Piriter Phul shines at Canfest 2026.

Bengali theatre troupe Ebong Amra captivated the audience at the 23rd National Theatre Festival, Canfest-2026, with their vibrant performance ofNeel Piriter Phul. Staged on the seventh evening of the prestigious event, the play was brought to life under the creative direction of Kallol Bhatacharya. This performance maintains the festival's long-standing tradition of bringing elite linguistic diversity to Paradip, a port town that has evolved into a significant cultural hub for Odisha’s performing arts scene.

Narrative layers unfolded as King Lausen of Mainagarh returned victorious from Kangoor, only to find his kingdom entangled in the romantic disputes of his subjects. The plot centers on Bahamoni, who defies her father Jalpai’s wish to marry Lalchand, choosing instead to flee with her lover Bankachand to the kingdom of Dhekurgarh. This flight triggers a chaotic chase involving several characters, eventually leading them into a mystical forest inhabited by supernatural entities like Khelaram Baba and Ekanore.

Within this enchanted woodland, the legendary "blue flowers of love" bloom, casting spells of forgetfulness and transformation. Drawing clear inspiration from the structural whimsy of Shakespearean comedies, the director utilized these elements to resolve the character conflicts through a night of surreal encounters. Characters who entered the forest burdened by spite emerged with clarity; Lalchand reunited with his loyal partner Fulmoni, while Bahamoni and Bankachand found peace.

Resolution arrived at dawn when King Ichai Ghosh of Dhekurgarh discovered the weary travelers. Upon hearing their tales, he facilitated their safe return to Mainagarh. The story concluded during King Lausen’s own wedding celebrations, where the monarch revoked previous punishments, ensuring a joyous end for all. The production was hailed for its seamless blend of folk storytelling and physical theatre, marking a high point for this year's national assembly of artists.